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| 1. The Adventures of Sherlock Holmes by Sir Arthur Conan Doyle | |
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The Adventures of Sherlock Holmes were initially published in "The Strand" magazine as a series of 24 short stories. These stories saw publication between 1891 and 1893. When they were published in book form, the first twelve were published as "The Adventures of Sherlock Holmes" and the last twelve were called "The Memoirs of Sherlock Holmes." Today, when we speak of the original "Adventures," we usually refer to the first twelve Holmes short stories. These twelve stories include some of the best of Holmes: "The Speckled Band," "The Red Headed League," "A Scandal in Bohemia." Doyle continued his Holmes saga with other collections of short stories: "The Return of Sherlock Holmes," "Reminiscences of Sherlock Holmes," "His Last Bow," and finally "The Casebook of Sherlock Holmes." Almost every Holmes short story bears the title "The Adventure of . . ." One of my favorite Holmes stories is "The Problem of Thor Bridge." Not only is it a very good yarn, it is a "Problem" and not an "Adventure!" Although Conan Doyle ran out of Holmes stories, the public did not run out of its appetite for new Holmes stories, and production of pastiches continues to this day. To me, the most satisfying way to relive the adventures of Sherlock Holmes, both original and pastiche adventures, is through the medium of audiotaped radio plays. There are at least four collections of adventures currently available. "The Adventures of Sherlock Holmes," a publication of BBC shows starring Clive Merrison, reprises the original twelve adventures. This is probably the best radio collection of adventures. National Public Radio has published four "Adventures of Sherlock Holmes" consisting of four one hour productions starring various actors as Holmes. The quality is uneven. "Smithsonian Historical Performances: The Adventures of Sherlock Holmes" has twelve stories, four of which are original. Edith Meiser wrote the pastiches, and John Stanley starred as a rather disagreeable Holmes. Some stories are very good; others are woeful. Simon and Schuster publishes a series of six "New Adventures of Sherlock Holmes." Each collection has eight Holmes stories. Of the pastiches, these are the best. Nigel Bruce stars as a loveable, bumbling Watson, and Basil Rathbone portrays the archetypical Holmes. Anthony Boucher and Dennis Green wrote the scripts and did a very good job. Holmesaholics will also want to listen to "More New Adventures of Sherlock Holmes," published by the Brilliance Corporation, and starring Tom Conway as Holmes and Nigel Bruce as Watson. These stories are on the whole better than the Smithsonian Historical Performances, but not as good as the Rathbone/Bruce "New Adventures." They also have the drawback of being published as individual cassettes. The avid collector can run to some expense getting all of these. Holmes survived Conan Doyle's attempt on his life at the Reichenbach Falls; he has survived his creator 80 years without showing any signs of loss of vitality. The latest (and quite enjoyable) addition to the Adventures of Sherlock Holmes is the BBC Television series starring Jeremy Brett.
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| 2. Pride and Prejudice by Jane Austen | |
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This battle of the sexes is largely seen through the eyes of second daughter Elizabeth, who possesses a razor-sharp wit and rich sense of humor--and who finds herself hindered by her own addlepated mother, her sister Jane's hopeless love for the wealthy Mr. Bingley, and her sister Lydia's penchant for scandal... not to mention the high-born, formidable, and outrageously proud Mr. Darcy, who seems determined to trump her every card. But the game of love proves more surprising than either Elizabeth or Mr. Darcy can imagine, and sometimes a seemingly weak hand proves a winning one when all cards are on the table. PRIDE AND PREJUDICE is simply one of the funniest novels ever written, peopled with memorable characters brought vividly to life as they both succeed and fail at the game of life according to the manners of their era. It is a novel to which I return again and again, enjoying Austen's brillant talent. I have little respect for people who describe it as dull, slow, out of date, for as long as men and women live and fall in love it will never be out of style, always be meaningful, and always be funny. A masterpiece of wit and style; a timeless novel for the ages.
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| 3. Dracula by Bram Stoker | |
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| 4. Great Expectations by Charles Dickens | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Editorial Review A Charles Dickens Timeline Reviews
Was there ever a novelist who created more memorable characters than Dickens? Here, we meet perhaps his most intriguing - Miss Havisham. For anyone unfamiliar with the story, I will not spoil it by describing her. The story is similar to parable about the prodigal son - good Pip inexplicably comes into some money and goes off to the corrupting city. AN IMPORTANT THING TO NOTE: Dickens wrote two ending for this book. His friends thought that the original ending was too downbeat and they asked him to come up with a different one. It is the upbeat ending that is the official ending of the novel. However, most critics agree that the original unpublished ending is better. Most modern editions feature the unpublished ending in an appendix. MAKE SURE YOU BUY A COPY THAT CONTAINS THE ORIGINAL ENDING!
Dickens is not a writer to read at a swift pace. Indeed, this novel was written in weekly episodes from December 1860 to August 1861 and, as it was created to be a serial, each installment is full of varied characters, great descriptions and a lot of action which moves the plot along and leaves the reader yearning for more. Therefore, unlike some books which are easily forgotten if I put them down for a few days, Great Expectations seemed to stick around, absorbing my thoughts in a way that I looked forward to picking it up again. It took me more than a month to read and I savored every morsel. Basically the story is of the self-development of Pip, an orphan boy being raised by his sister and her blacksmith husband in the marshlands of England in 1820. Every one of the characters were so deeply developed that I felt I was personally acquainted with each one of them. There was Pip's roommate, Herbert Pocket, the lawyer, Mr. Jaggers, and his clerk, Mr. Wemmick. And then there was the wicked Orlick. The dialogues were wonderful. The characters often didn't actually say what they meant but spoke in a way that even though the words might be obtuse, there was no mistaking their meaning. I found myself smiling at all these verbal contortions. Dickens' work is richly detailed and he explores the nuances of human behavior. I enjoyed wallowing in the long sentences and letting myself travel backwards in time to a different world. However, even with the footnotes, I found myself sometimes confused by the British slang of 150 years ago, and there were several passages I had to read over several times in order to get the true meaning. Of course I was not in a particular rush. I didn't have to make a report to a class or take a exam about the book. This is certainly a pleasure. I heartily recommend this book to anyone who enjoys a good read.ting from the secret wealth of Magwitch, who made a fortune in Australia after being transported. Moreover, Magwitch's unlawful return to England puts him and Pip in danger. Meanwhile, Estella has married another, a horrible man who Pip despises. Eventually, with Magwitch's recapture and death in prison and with his fortune gone, Pip ends up in debtors prison, but Joe redeems his debts and brings him home. Pip realizes that Magwitch was a more devoted friend to him than he ever was to Joe and with this realization Pip becomes, finally, a whole and decent human being. Originally, Dickens wrote a conclusion that made it clear that Pip and Estella will never be together, that Estella is finally too devoid of heart to love. But at the urging of others, he changed the ending and left it more open ended, with the possibility that Estella too has learned and grown from her experiences and her wretched marriages. This is the work of a mature novelist at the height of his powers. It has everything you could ask for in a novel: central characters who actually change and grow over the course of the story, becoming better people in the end; a plot laden with mystery and irony; amusing secondary characters; you name it, it's in here. I would rank it with A Tale of Two Cities, Oliver Twist and David Copperfield among the very best novels of the worlds greatest novelist. GRADE: A+
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| 5. Sense and Sensibility by Jane Austen | |
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The title refers to the two eldest Dashwood sisters, Elinor and Marianne, one of whom (Elinor) embraces practicality and restraint while the other (Marianne) gives her whole heart to every endeavor. When the Dashwoods - mother Mrs. Dashwood, Elinor, Marianne, and youngest sister Margaret - are sent, almost impoverished, to a small cottage in Devonshire after the death of their father and the machinations of their brother's wife, they accept their new circumstances with as much cheer as they can muster even though their brother and his wife have taken over the family estate and fortune. Their characters, albeit wildly different in their approaches to life, are impeccably honest and intelligent - and their suitors take notice. Elinor falls in love with the shy, awkward Edward, while Marianne's affections are lavished on the dashing hunter Willoughby. As in all Austen's books, love and marriage don't come easily, as affections aren't always returned and social jockeying sometimes takes precedence to true love. In an interestingly twist, the end of this novel brings into question which sister represents which part of the title. SENSE AND SENSIBILITY only hints at the social skewering Austen would use to such great effect in her later novels, and the humor here is only occasional and slight, as this novel adopts a generally serious tone. Parody is largely limited to the gossipy Mrs. Jenkins, who jumps to wild conclusions about situations she knows nothing about. Though arranged marriage and true love figure prominently in all of Austen's novels, this novel focuses almost exclusivity on the prospects of the two main characters, making it less complex than the novels that followed. Reserved Elinor and exuberant Marianne are expertly drawn, with Edward, Willoughby, and Colonel Brandon (whose lovesick hopes for Marianne are dashed again and again) also engaging creations. Except for the first page or two where the circumstances of the Dashwoods are set up through a series of deaths and relations, possibly causing some confusion, this novel is exceedingly easy to follow for contemporary readers. This novel is an excellent introduction to Jane Austen's works because of its relative simplicity (though readers should not dismiss it as simple) and the use of typical themes and social situations. Book clubs and students might want to explore the influence of money on nineteenth century British society as well as the meaning of the title as it applies to both the sisters and the other characters. It is also interesting to note both the helplessness and the extraordinary power of women in different circumstances. Just because this is not Austen's best novel, I could not take away a single star because it is such a delightful book. I highly recommend this novel for all readers.
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| 6. The People of the Mist by Henry Rider Haggard | |
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Was "Tattoo" of "Fantasy Island" based on the character "Otter?" They both say "baas" in reference to their employer.
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| 7. Emma by Jane Austen | |
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| 8. Persuasion by Jane Austen | |
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(2009-10-04)
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It is a novel of second chances. Anne Elliot, no longer in the bloom of youth, is a grown woman of 27 or 28 years. Eight years ago she had been happily in love with a handsome man named Frederick Wentworth. But, unfortunately, due to his financial status, and Anne under the influence of her family and close friend, was forced to reject his marriage proposal and they parted ways. But now, he is within her closest circle once again. Circumstances led to Anne staying with her married sister, Mrs. Muskgrove, while her own house was being let to Wentworth's sister and husband. Wentworth visits his sister and on calling on the Muskgroves finds Anne among them. Anne finds Wentworth, not only looking as good as he ever did, but is now Captain Wentworth, who has made his fortune. Wentworth, still angry with Anne over being rejected, causes him to treat Anne very cooly. But over many weeks of contact here and there, you catch on that Captain Wentworth isn't all that oblivious to Anne anymore, because of all the little 'glimpses' he throws at Anne. The tension between the two is amazing. You can sense a connection between the two, even though they are on opposite ends of the room. In Bath, the tension builds and builds until it culminates into one of the most moving and romantic reunions ever. The letter that Wentworth writes to Anne declaring his love is bound to bring a tear to your eye and a pang in your heart. Happily, all ends well, but throughout the novel you can easily sympathize with Anne. No longer youthful and no longer as pretty as she used to be, she is full of self-consciousness and confusion. She still loves him after all those years, but she cannot act upon her desires. Austen, yet again, excels in portraying her characters. Anne and Captain Wentworth are full and delightful characters that one must love. Her descriptions of Anne's vain father and snobbish older sister, Elizabeth, hit the mark on satirizing the members of society during that time. She wittingly describes how everyone tolerates Mrs. Muskgrove's hypochondriatic self and how everyone deals with her in their own way. There is not so much dialogue between characters in this book, compared to Austen's other novels. Most of the book is in observation of Anne's character and feelings, which makes it so much easier to relate to everything that Anne feels and you understand her situation all the more. This is a wonderful novel, with many qualities, differing from those of Austen's previous novels, to enjoy and admire.
This book has meant different things to me at different times in my life. I have often reflected why I find the story so fascinating and believe it is because it so accurately portrays the human spirit and exposes our flaws and strengths with such transparency. Jane Austen reveals those who are so superficial that they see no goodness or worth other than beauty and wealth (Anne's father and sister); those who are so dependent that they do not listen to their own heart - but instead leave their most important decisions for others to make (Anne herself); and those whose pride has been wounded. And perhaps what is so captivating, Austen lets the reader vicariously "undo" an error in judgment. This is an excellent and timeless novel.
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| 9. The Invisible Man by H. G. (Herbert George) Wells | |
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And it is the literal situation from which the novel draws most of its power. Invisibility sounds attractive--but what if you were to actually become so? How would you cope with the ordinary details of every day life? Griffin does not cope well at all, and although Wells suggests that his madness have arisen from a number of sources, he also implies that it may arise from the fact of invisibility itself, again twisting the context back into the social criticism on which the novel seems based. First published in 1897, THE INVISIBLE MAN is one of Wells earliest novels, and for all its charms it creaks a bit in terms of plot and structure. Some may disagree, but to my mind the most effective portion of the novel are the chapters in which Griffin relates his adventures to fellow scientist Kemp--but regardless of its flaws remains extremely influential and it has tremendous dash and style throughout. Short enough to be read in a single sitting, it is a quick and entertaining read and it is also quite witty in an underhanded, subversive sort of way. Extremely memorable! GFT, Amazon Reviewer
As in all of the best books of the genre he helped to create, Wells combines these speculations with an exciting, fanciful tale. He and Verne truly set their successors a lofty standard to aspire towards. GRADE: A-
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| 10. Love and Friendship by Jane Austen | |
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| 11. Mansfield Park by Jane Austen | |
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| 12. The Man Who Would Be King by Rudyard Kipling | |
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| 13. Lady Susan by Jane Austen | |
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| 14. Through the Looking-Glass by Lewis Carroll | |
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| 15. The World Set Free by H. G. (Herbert George) Wells | |
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| 16. Cleopatra by Henry Rider Haggard | |
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| 17. Sisters by Kathleen Thompson Norris | |
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| 18. Northanger Abbey by Jane Austen | |
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| 19. Othello by William Shakespeare | |
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| 20. The Journals of Lewis and Clark, 1804-1806 by Meriwether Lewis, William Clark | |
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